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Title: Regrets sur ma vieille robe de chambre

Author: Denis Diderot

Release Date: October 25, 2004 [EBook #13863]

Language: French

Character set encoding: ISO-8859-1

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Denis Diderot

REGRETS SUR MA VIEILLE ROBE DE CHAMBRE

OU

AVIS  CEUX QUI ONT PLUS DE GOT QUE DE FORTUNE

(1772)


Pourquoi ne l'avoir pas garde? Elle tait faite  moi; j'tais fait
 elle. Elle moulait tous les plis de mon corps sans le gner;
j'tais pittoresque et beau. L'autre, raide, empese, me mannequine.
Il n'y avait aucun besoin auquel sa complaisance ne se prtt; car
l'indigence est presque toujours officieuse. Un livre tait-il
couvert de poussire, un de ses pans s'offrait  l'essuyer. L'encre
paissie refusait-elle de couler de ma plume, elle prsentait le
flanc. On y voyait tracs en longues raies noires les frquents
services qu'elle m'avait rendus. Ces longues raies annonaient le
littrateur, l'crivain, l'homme qui travaille. A prsent, j'ai
l'air d'un riche fainant; on ne sait qui je suis.

Sous son abri, je ne redoutais ni la maladresse d'un valet, ni la
mienne, ni les clats du feu, ni la chute de l'eau. J'tais le
matre absolu de ma vieille robe de chambre; je suis devenu
l'esclave de la nouvelle.

Le dragon qui surveillait la toison d'or ne fut pas plus inquiet que
moi. Le souci m'enveloppe.

Le vieillard passionn qui s'est livr, pieds et poings lis, aux
caprices,  la merci d'une jeune folle, dit depuis le matin jusqu'au
soir: O est ma bonne, ma vieille gouvernante? Quel dmon m'obsdait
le jour que je la chassai pour celle-ci! Puis il pleure, il soupire.

Je ne pleure pas, je ne soupire pas; mais  chaque instant je dis:
Maudit soit celui qui inventa l'art de donner du prix  l'toffe
commune en la teignant en carlate! Maudit soit le prcieux vtement
que je rvre! O est mon ancien, mon humble, mon commode lambeau de
calemande?

Mes amis, gardez vos vieux amis. Mes amis, craignez l'atteinte de la
richesse. Que mon exemple vous instruise. La pauvret a ses
franchises; l'opulence a sa gne.

O Diogne! si tu voyais ton disciple sous le fastueux manteau
d'Aristippe, comme tu rirais! O Aristippe, ce manteau fastueux fut
pay par bien des bassesses. Quelle comparaison de ta vie molle,
rampante, effmine, et de la vie libre et ferme du cynique
dguenill! J'ai quitt le tonneau o je rgnais, pour servir sous
un tyran.

Ce n'est pas tout, mon ami. coutez les ravages du luxe, les suites
d'un luxe consquent.

Ma vieille robe de chambre tait une avec les autres guenilles qui
m'environnaient. Une chaise de paille, une table de bois, une
tapisserie de Bergame, une planche de sapin qui soutenait quelques
livres, quelques estampes enfumes, sans bordure, cloues par les
angles sur cette tapisserie; entre ces estampes trois ou quatre
pltres suspendus formaient avec ma vieille robe de chambre
l'indigence la plus harmonieuse.

Tout est dsaccord. Plus d'ensemble, plus d'unit, plus de beaut.

Une nouvelle gouvernante strile qui succde dans un presbytre, la
femme qui entre dans la maison d'un veuf, le ministre qui remplace
un ministre disgraci, le prlat moliniste qui s'empare du diocse
d'un prlat jansniste, ne causent pas plus de trouble que
l'carlate intruse en a caus chez moi.

Je puis supporter sans dgot la vue d'une paysanne. Ce morceau de
toile grossire qui couvre sa tte; cette chevelure qui tombe parse
sur ses joues; ces haillons trous qui la vtissent [sic]  demi; ce
mauvais cotillon court qui ne va qu' la moiti de ses jambes; ces
pieds nus et couverts de fange ne peuvent me blesser: c'est l'image
d'un tat que je respecte; c'est l'ensemble des disgrces d'une
condition ncessaire et malheureuse que je plains. Mais mon coeur se
soulve; et, malgr l'atmosphre parfume qui la suit, j'loigne mes
pas, je dtourne mes regards de cette courtisane dont la coiffure 
points d'Angleterre, et les manchettes dchires, les bas de soie
sales et la chaussure use, me montrent la misre du jour associe 
l'opulence de la veille.

Tel et t mon domicile, si l'imprieuse carlate n'et tout mis 
son unisson.

J'ai vu la Bergame cder la muraille,  laquelle elle tait depuis
si longtemps attache,  la tenture de damas.

Deux estampes qui n'taient pas sans mrite: _la Chute de la manne
dans le dsert_ du Poussin, et _l'Esther devant Assurus_ du mme;
l'une honteusement chasse par un vieillard de Rubens, c'est la
triste Esther; _la Chute de la manne_ dissipe par une _Tempte_ de
Vernet.

La chaise de paille relgue dans l'antichambre par le fauteuil de
maroquin.

Homre, Virgile, Horace, Cicron, soulager le faible sapin courb
sous leur masse, et se refermer dans une armoire marquete, asile
plus digne d'eux que de moi.

Une grande glace s'emparer du manteau de ma chemine.

Ces deux jolis pltres que je tenais de l'amiti de Falconet, et
qu'il avait rpars lui-mme, dmnags par une Vnus accroupie.
L'argile moderne brise par le bronze antique.

La table de bois disputait encore le terrain,  l'abri d'une foule
de brochures et de papiers entasss ple-mle, et qui semblaient
devoir la drober longtemps  l'injure qui la menaait. Un jour elle
subit son sort et, en dpit de ma paresse, les brochures et les
papiers allrent se ranger dans les serres d'un bureau prcieux.

Instinct funeste des convenances! Tact dlicat et ruineux, got
sublime qui change, qui dplace, qui difie, qui renverse; qui vide
les coffres des pres; qui laisse les filles sans dot, les fils sans
ducation; qui fait tant de belles choses et de si grand maux, toi
qui substituas chez moi le fatal et prcieux bureau  la table de
bois; c'est toi qui perds les nations; c'est toi qui, peut-tre, un
jour, conduira mes effets sur le pont Saint-Michel, o l'on entendra
la voix enroue d'un jur crieur dire: A vingt louis une Vnus
accroupie.

L'intervalle qui restait entre la tablette de ce bureau et la
_Tempte_ de Vernet, qui est au-dessus, faisait un vide dsagrable
 l'oeil. Ce vide fut rempli par une pendule; et quelle pendule
encore! une pendule  la Geoffrin, une pendule o l'or contraste
avec le bronze.

Il y avait un angle vacant  ct de ma fentre. Cet angle demandait
un secrtaire, qu'il obtint.

Autre vide dplaisant entre la tablette du secrtaire et la belle
tte de Rubens, il fut rempli par deux La Grene.

Ici c'est une _Magdeleine_ du mme artiste; l, c'est une esquisse
ou de Vien ou de Machy; car je donnai aussi dans les esquisses. Et
ce fut ainsi que le rduit difiant du philosophe se transforma dans
le cabinet scandaleux du publicain. J'insulte aussi  la misre
nationale.

De ma mdiocrit premire, il n'est rest qu'un tapis de lisires.
Ce tapis mesquin ne cadre gure avec mon luxe, je le sens. Mais j'ai
jur et je jure, car les pieds de Denis le philosophe ne fouleront
jamais un chef-d'oeuvre de la Savonnerie, que je rserverai ce
tapis, comme le paysan transfr de sa chaumire dans le palais de
son souverain rserva ses sabots.

Lorsque le matin, couvert de la somptueuse carlate, j'entre dans
mon cabinet, si je baisse la vue, j'aperois mon ancien tapis de
lisires; il me rappelle mon premier tat, et l'orgueil s'arrte 
l'entre de mon coeur.

Non, mon ami, non: je ne suis point corrompu. Ma porte s'ouvre
toujours au besoin qui s'adresse  moi; il me trouve la mme
affabilit. Je l'coute, je le conseille, je le secours, je le
plains. Mon me ne s'est point endurcie; ma tte ne s'est point
releve. Mon dos est bon et rond, comme ci-devant. C'est le mme ton
de franchise; c'est la mme sensibilit. Mon luxe est de frache
date et le poison n'a point encore agi. Mais avec le temps, qui sait
ce qui peut arriver? Qu'attendre de celui qui a oubli sa femme et
sa fille, qui s'est endett, qui a cess d'tre poux et pre, et
qui, au lieu de dposer au fond d'un coffre fidle, une somme
utile...

Ah, saint prophte! levez vos mains au ciel, priez pour un ami en
pril, dites  Dieu: si tu vois dans tes dcrets ternels que la
richesse corrompe le coeur de Denis, n'pargne pas les chefs-
d'oeuvre qu'il idoltre; dtruis-les et ramne-le  sa premire
pauvret; et moi, je dirai au ciel de mon ct: O Dieu! je me
rsigne  la prire du saint prophte et  ta volont! Je
t'abandonne tout; reprends tout; oui, tout, except le Vernet. Ah!
laisse-moi le Vernet!

Ce n'est pas l'artiste, c'est toi qui l'as fait. Respecte l'ouvrage
de l'amiti et le tien. Vois ce phare, vois cette tour adjacente qui
s'lve  droite; vois ce vieil arbre que les vents ont dchir. Que
cette masse est belle! Au-dessous de cette masse obscure, vois ces
rochers couverts de verdure. C'est ainsi que ta main puissante les a
forms; c'est ainsi que ta main bienfaisante les a tapisss. Vois
cette terrasse ingale, qui descend du pied des rochers vers la mer.
C'est l'image des dgradations que tu as permises au temps d'exercer
sur les choses du monde les plus solides. Ton soleil l'aurait-il
autrement claire? Dieu! si tu anantis cet ouvrage de l'art, on
dira que tu es un Dieu jaloux. Prends en piti les malheureux pars
sur cette rive. Ne te suffit-il pas de leur avoir montr le fond des
abmes? Ne les as-tu sauvs que pour les perdre? coute la prire de
celui-ci qui te remercie. Aide les efforts de celui-l qui rassemble
les tristes restes de sa fortune. Ferme l'oreille aux imprcations
de ce furieux: hlas! il se promettait des retours si avantageux; il
avait mdit le repos et la retraite; il en tait  son dernier
voyage. Cent fois dans la route, il avait calcul par ses doigts le
fond de sa fortune; il en avait arrang l'emploi: et voil toutes
ses esprances trompes; peine lui reste-t-il de quoi couvrir ses
membres nus. Sois touch de la tendresse de ces deux poux. Vois la
terreur que tu as inspire  cette femme. Elle te rend grce du mal
que tu ne lui as pas fait. Cependant, son enfant, trop jeune pour
savoir  quel pril tu l'avais expos, lui, son pre et sa mre,
s'occupe du fidle compagnon de son voyage; il rattache le collier
de son chien. Fais grce  l'innocent. Vois cette mre frachement
chappe des eaux avec son poux; ce n'est pas pour elle qu'elle a
trembl, c'est pour son enfant. Vois comme elle le serre contre son
sein; vois comme elle le baise. O Dieu! reconnais les eaux que tu as
cres. Reconnais-les, et lorsque ton souffle les agite, et lorsque
ta main les apaise. Reconnais les sombres nuages que tu avais
rassembls, et qu'il t'a plu de dissiper. Dj ils se sparent, ils
s'loignent, dj la lueur de l'astre du jour renat sur la face des
eaux; je prsage le calme  cet horizon rougetre. Qu'il est loin,
cet horizon! il ne confine point avec la mer. Le ciel descend au-
dessous et semble tourner autour du globe. Achve d'claircir ce
ciel; achve de rendre  la mer sa tranquillit. Permets  ces
matelots de remettre  flot leur navire chou; seconde leur
travail; donne-leur des forces, et laisse-moi mon tableau. Laisse-
le-moi, comme la verge dont tu chtieras l'homme vain. Dj ce n'est
plus moi qu'on visite, qu'on vient entendre: c'est Vernet qu'on
vient admirer chez moi. Le peintre a humili le philosophe.

O mon ami, le beau Vernet que je possde! Le sujet est la fin d'une
tempte sans catastrophe fcheuse. Les flots sont encore agits; le
ciel couvert de nuages; les matelots s'occupent sur leur navire
chou; les habitants accourent des montagnes voisines.

Que cet artiste a d'esprit! Il ne lui a fallu qu'un petit nombre de
figures principales pour rendre toutes les circonstances de
l'instant qu'il a choisi. Comme toute cette scne est vraie! Comme
tout est peint avec lgret, facilit et vigueur! Je veux garder ce
tmoignage de son amiti. Je veux que mon gendre le transmette ses
enfants, ses enfants aux leurs, et ceux-ci aux enfants qui natront
d'eux.

Si vous voyiez le bel ensemble de ce morceau; comme tout y est
harmonieux; comme les effets s'y enchanent; comme tout se fait
valoir sans effort et sans apprt; comme ces montagnes de la droite
sont vaporeuses; comme ces rochers et les difices surimposs sont
beaux; comme cet arbre est pittoresque; comme cette terrasse est
claire; comme la lumire s'y dgrade; comme ces figures sont
disposes, vraies, agissantes, naturelles, vivantes; comme elles
intressent; la force dont elles sont peintes; la puret dont elles
sont dessines; comme elles se dtachent du fond; l'norme tendue
de cet espace; la vrit de ces eaux; ces nues, ce ciel, cet
horizon! Ici le fond est priv de lumire et le devant clair, au
contraire du technique commun. Venez voir mon Vernet; mais ne me
l'tez pas.

Avec le temps, les dettes s'acquitteront; le remords s'apaisera; et
j'aurai une jouissance pure. Ne craignez pas que la fureur
d'entasser des belles choses me prenne. Les amis que j'avais, je les
ai; et le nombre n'en est pas augment. J'ai Las, mais Las ne m'a
pas. Heureux entre ses bras, je suis prt  la cder  celui que
j'aimerai et qu'elle rendrait plus heureux que moi. Et pour vous
dire mon secret  l'oreille, cette Las, qui se vend si cher aux
autres, ne m'a rien cot.





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